In 2016, we saw movies like Pink and Dangal that were premised on the struggles of female heroes – and the men who enabled them.
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La La Land reminds you of what love used to feel like, before we dived headfirst into the age of irony and started to abide by an uncodified playbook.
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There is no one way to remember a war. For Colonel K’maneck, who served in Bangladesh in 1971, memories of the war are linked to rifle muzzles covered with condoms.
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We all know Sudarshan Shetty, the artistic director of the Kochi Biennale this year. Ever wonder how his most famous artwork, "Love", where a dinosaur humps a Jaguar, was realised?
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Veer had been in a relationship for four years when he embraced his pansexuality. He did not want to hold back such an important part of his life from the person he loved.
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Pink should have released with a trigger warning for half this country’s population, where living as a woman is an act of jurrat.
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Nothing endures at -55°C except the commitment to your nation and your men. Sachin Bali, a decorated former officer, recounts a rescue mission at the highest battlefield on earth.
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In a nation where only 4 per cent of the population speaks English fluently, the other 96 per cent struggle to get a foothold and join the world’s march to progress.
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A bullet in his back has not deterred Arun Sawant in his fight for justice. He has taken on the police, the civic body, and is now gunning for the PM.
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Valerian Santos raised his boys to never be mute witnesses to a crime, to always intervene – no matter what the consequences.
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