Arré - Social Commentary
Arré
- SOCIAL COMMENTARY -
A couple of weeks ago, as the CAA protests started gathering steam, I tweeted a video from a gathering in Bandra’s Carter Road. It prompted a gentleman on Twitter to label me a “bloody Khalistani”. My name was enough for him to sum up my entire existence. This is what happens when communities are othered and demonised.
Batla House, the John Abraham-starring film, will no doubt open to praise and paisa, unfettered by the fact that, 11 years later, the actual encounter that saw two alleged terrorists and police officer MC Sharma killed, is still one of the murkiest cases in the annals of Delhi Police’s speckled history.
Men like Shutu from A Death in the Gunj are all around us, but rarely do we see their internal struggles on screen. Where are the sensitive heroes, who suffer for feeling too much?
Two kinds of spectres slip in and out of Phillauri’s frames. There’s the one played by Anushka Sharma. And then there is the ghost that has plagued women’s writing for centuries.
We all know Sudarshan Shetty, the artistic director of the Kochi Biennale this year. Ever wonder how his most famous artwork, "Love", where a dinosaur humps a Jaguar, was realised?
Pink should have released with a trigger warning for half this country’s population, where living as a woman is an act of jurrat.
In a nation where only 4 per cent of the population speaks English fluently, the other 96 per cent struggle to get a foothold and join the world’s march to progress.
A bullet in his back has not deterred Arun Sawant in his fight for justice. He has taken on the police, the civic body, and is now gunning for the PM.
Valerian Santos raised his boys to never be mute witnesses to a crime, to always intervene – no matter what the consequences.
In the media-dark zones of rural India, life and death issues go unreported. Shubhranshu Choudhary, who bagged the Google digital activism award in 2014, brings light to that dark.